Alphabets; factoral values

Shakespeare's Epitaph

A. Values of Text and Names

E. Gematric aspects of the 4 Y-Words;

F. Meaning of letter Y

G. The Y-words in the Angel's Annunciation to Mary

I. Introduction

II. IESUS and his Titles in the Annunciation account

H. Cross and Salvation: the meaning of Ypsilon and 22, 23

J. The Annunciation words in Greek and Latin

K. Shakespeare understands himself as Mary's Son

6

GOOD FREND FOR IESVS SAKE FORBEARE

6

TO DIGG THE DVST ENCLOASED HEARE.

8

BLESTE BE YE MAN YT SPARES THES STONES

8

AND CVRST BE HE YT MOVES MY BONES.

I. Introduction

1.      The Roman practice of gematria is based on the principles and meanings of the decimal system. Shakespeare somehow was able to obtain that knowledge and to develop his own concept. As he understood the close relationship between 22 and 23, he saw a chance in counting the letter Y both according to the Roman alphabet (22) and the alphabet of his own time (23). God gives every Age its own meaning.

2.      Shakespeare did not care about the position of the letter YPSILON in the Greek alphabet. The numeric value/sum (NV, NS) of the word YPSILON is, according to the Roman alphabet, 102, its factoral value/sum (FV, FS) 68. This enables an internal ratio of 34*(2:1) and an external ratio of 34*(2:3). The NS 102 connects YPSILON to the identical value of PENSATOR, the 8 different letters of the SATOR Square.

If Y is counted 23, the NV of YPSILON is 103, which is also the NS of SHAKESPEARE, the FS 78:

YPSILON

sm.

 

NS

FS

 

22

102

68

170

23

103

78

181

 

205

146

351

The total 351 = 27*13 is the sum of the numbers 1-26. Its NV is 22.

II. IESUS and his Titles in the Annunciation account

1.      By explicitly naming IESVS in his epitaph, Shakespeare makes clear that he expects his eternal salvation and reward from him. The first time the name of Jesus is made known is when the Angel Gabriel delivers his message to the Virgin Mary. It is written down in the gospel of St. Luke, 1:26-38. The Angel twice says who the announced child is:

HYIOS HYPSISTOUSon of the Highest

HYIOS THEOUSon of God.

2.      Shakespeare, who recognized the piety of the Romans and their poets, wanted to unite their cultural and literary achievements with the culture that Christianity has brought into the world. He was much impressed with the SATOR Square and especially with the word SATOR itself, whose NS is 3*23. It must be remembered that the total NS of the epitaph is 54*23. If Shakespeare gave the letter Y the value 23, he could connect the four words of the Annunciation scene with the SATOR Square.

3.      In the Greek alphabet there was no letter for the breathed sound H. Each word beginning with a vowel was given a sign above it to indicate whether it was breathed or not. The two signs looked like a round bracket: ( = breathed, ) = unbreathed. So Shakespeare might have formed the idea to include words into his epitaph starting with a Y.

The TH in Greek was one letter, the THETA. Being pronounced as one sound, the English alphabet also had a character of its own, called "thorn". In handwriting it looked similar to a Y and finally was used in various documents. Shakespeare, of course, knew this. He could have written "BLESTE BE THE MAN", just as he said before THE DVST, but he wanted to make an assimilation to the other 3 Greek Y-words, which was possible because of the historic peculiarity of the English language to represent TH by the letter Y.

4.      Shakespeare wanted four 2-letter words in his epitaph to combine their values with the word PE|NS|AT|OR. But he certainly intended to form analogous letter groups out of the four gospel terms. If he, in a kind of exchange, kept the three first letters of THEOU, he could go on to form three 2-letter words, with Y as first letter and another one. The letter groups of the gospel and the Y-words of the epitaph can be arranged in a table together:

Luke

YI

YP

YI

THE

Epitaph

YE

YT

YT

MY

Shakespeare repeated YT analogous to twice YIOS. YE is the only word that refers semantically to THEOU.

 

 

Written: February 2009

Laste entry: June 2014

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